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Primary Publications/Lectures on Touch

 

 

Esrock, E. Body forth in narrative. (2019). In Narrative Complexity: Experiential and     Cognitive Interfaces (pp. 270-290). University of Nebraska Press.

 

Esrock, E. Einfühlung as the breath of art: Six modes of embodiment. (2018). Cognitive  Processing, 19(2),187-199.  DOI.org/10.1007/s10339-017-0835-4

 

Esrock, E. The phantasmagoria of everyday life: The visceral-somatic viewer of Hiroshi Sugimoto and Adolph Menzel's art. (2012). In S. A. and S. F. (Eds.), Embodied Fantasie: From Awe to Artifice (pp. 257-266). Peter Lang.

 

Esrock, E. Embodying art: The spectator and the inner body. (2010). Poetics Today 31(2) 217-250.

 

Esrock, E. Embodying literature. (2004). Journal of Consciousness Studies 11(5-6),   79 –89.

 

Esrock, E. Touching art: Intimacy, embodiment, and the somatosensory system. (2001). Consciousness and Emotion 2(2), 233-254.  

 

Esrock, E. The princess and the pea: Touch and the private/public domains of women’s knowledge. (2001). Knowledge and Society 12, 17-29. 

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Esrock, E. Embodying words & images. (2014). Lecture presented in the Institute Lecture Series at the Experimental Media and Performing Arts Center of Rensselaer Polytechnic Institute. 

https://vimeopro.com/empac/empac-video-archive/video/101555579